Pinto leads protesters in song during anti-austerity demonstrations. "I'm just a normal citizen," she says. "I just have this strong instinct of protecting what I love, and I do deeply love my country."
Credit Courtesy of Ana Maria Pinto
Pinto conducts members of the Intervention Choir of Porto, a choral group she founded to use music as a form of nonviolent civil disobedience. They perform at protests nationwide.
This is the kind of opportunity most classical musicians can only dream about: to be invited to spend part of the summer with an orchestra touring the world — Washington, Moscow, St. Petersburg and London — with two of the biggest names in classical music, conductor Valery Gergiev and violinist Joshua Bell.
Originally published on Tue August 20, 2013 12:21 pm
Leonard Bernstein, in a New York PhilharmonicYoung People's Concert, once summarized the late 19th century as the "kindergarten period" of American music and proceeded to make fun of George Whitefield Chadwick, Boston's leading composer from that period. But in citing Chadwick's Melpomene Overture, Bernstein stacked the deck.
It's a hot summer afternoon and the recital hall at Purchase College is abuzz with excitement and nervous energy. One hundred and twenty teenagers, from 42 states, are about to embark on an extraordinary musical and personal journey.
Clive Gillinson, executive director of Carnegie Hall, steps up to the podium to greet them. "Welcome to all of you," he says. "It's wonderful to welcome you here to the first-ever National Youth Orchestra of the United States of America!"
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Pablo Helguera is a New York-based artist working with sculpture, drawing, photography and performance. His new book isHelguera's Artunes. You can see more of his work at Artworld Salon and on his own site.
Originally published on Mon October 28, 2013 2:26 pm
There is magic in pure sound. And few know that truth as well as the quartet called So Percussion and the installation artist and drummer Eli Keszler — artists who, before this spring, had never met. We thought that they might find kindred spirits in each other.
On the day after the Supreme Court concluded its epic term in June, two of the supreme judicial antagonists, Justice Antonin Scalia and Justice Ruth Bader Ginsburg, met over a mutual love: opera.
When it comes to constitutional interpretation, the conservative Scalia and the liberal Ginsburg are leaders of the court's two opposing wings. To make matters yet more interesting, the two have been friends for decades, since long before Scalia was named to the court by President Reagan and Ginsburg by President Clinton.
Originally published on Fri July 26, 2013 10:49 am
In honor of our search for the great American symphony, here's an encore presentation of one of our favorite Artunes. Got an idea for a classical cartoon or a reaction to this one? Leave your thoughts in the comments section.
Hear JoAnn Falletta's Discussion With Robert Siegel
Our country's culture is a vast conglomeration of more than 200 years of influences from all over the world. We have taken what began as an extraordinary European tradition and expanded that legacy on American soil. We have added our essential egalitarianism, our love of experimentation, our inclusiveness and our boldness to the very form of the symphony. Americans have not been bound by one definition of the symphony, and composers have applied that formal name to pieces of varying length, structure and content.
Michael Tilson Thomas and the San Francisco Symphony have been consistent champions of American music of all shapes and sizes. Are there — or will there be — American symphonies that stand with those of Mozart and Beethoven, Mahler and Shostakovich?
Critics and fans love a good debate over the great American novel or great American movie. But what about the great American symphony?
Is there one? If not, why? If so, which symphonies are good candidates for the title? (Check out our Spotify list for some contenders.) And in the land of the melting pot, what does it mean for a symphony to be "American" in the first place?
Maya Beiser's Twitter handle — @CelloGoddess — says it all. She's a brilliant cellist with a stunning command of her instrument, and she's tightly tied to technology. Beiser takes the sound of her cello and runs it through loop pedals, effects and other electronics to make her instrument shimmer, drone and groove. Then there's her magnificent sense of melody.