Originally published on Mon November 25, 2013 9:27 am
There's a beguiling photo of Krzysztof Penderecki, who turns 80 today, inside the brochure of this week's Warsaw music festival that bears his name. It shows the lauded Polish composer standing in his immense garden, surrounded by a labyrinth of trees and shrubbery trimmed to symmetrical perfection.
Composer Benjamin Britten was born 100 years ago today, and the occasion is being marked by performances of his music around the world, from Carnegie Hall in New York to Memorial Hall in Tokyo.
Britten was a central figure of 20th-century classical music: He was a conductor, pianist and festival producer, as well as a composer. His best-known works include the opera Billy Budd, his War Requiem and The Young Person's Guide to the Orchestra.
I'm a bit of a cynic when it comes to composer anniversaries but this year, marking 100 years since the birth of Benjamin Britten, has been absolutely fascinating for me. I am now living proof that such centenaries can indeed change the way we look at a composer and provide us with opportunities to explore their breadth and depth. In Britten I have found a new hero, a musically surprising and multi-dimensional citizen of the world.
If you're going to be cooking Thanksgiving dinner next week, you've probably already started gathering the traditional ingredients — but your ingredients are most likely very different from those that made up the first Thanksgiving meal in 1621. (Marshmallows with those sweet potatoes, anyone?)
Originally published on Wed November 20, 2013 12:57 pm
British composer Benjamin Britten was born 100 years ago this Friday, Nov. 22. Before you ask "Benja-who?" consider this: Did you see Wes Anderson's film Moonrise Kingdom last summer, or Pedro Almodovar's Talk to Her back a decade or so ago? (Well, maybe you have to be an art-house denizen for those.
Dr. Danielle Cumming (guitar instructor at Salisbury University) has an international resume, and multiple
events coming up this fall, as well as pre-planning the Spring Guitar Festival. She plays a bit for us, and talks with Kara Dahl Russell about her upcoming performances. A “tiny desk concert” from WSCL 89.5.
Originally published on Mon November 18, 2013 9:03 am
Last March, when the San Francisco Symphony was slated for an East Coast tour, including a stop at Carnegie Hall, the musicians went on strike. Fortunately, the labor dispute was settled in 18 days — a blink of an eye compared to the recent drawn-out disruptions in Minnesota and Detroit. Still, it left New Yorkers hungry for the San Francisco Symphony's brand of tonal luminescence and programming bravado, nurtured by forward-thinking conductor Michael Tilson Thomas.
Pianist Paul Lewis came to Boston to make his recital debut on Jan. 12. The evening before, at this performance he gave at WGBH's Fraser Performance Studio, he told the audience he suddenly realized there was a certain magic in that date. It had been exactly 20 years earlier — Jan. 12, 1993 — when the great pianist Alfred Brendel came to London's Guildhall School of Music & Drama to do a master class. "I thought he'd tell me to do something else with my life," Lewis remembered with a laugh.
James M. Bennett students and pianists Kaya Manizade (Sr.) and Kieran Murphy (Jr.) have planned a dual recital to benefit the SWAC Instrument Barn. The Instrument barn is an organization which distributes instruments to low-income students aspiring to play in band or orchestra through Salisbury Music and Instrument Store (925 Eastern Shore Drive, Salisbury, MD).
Originally published on Tue October 29, 2013 9:51 pm
Johann Sebastian Bach has been a central figure in the life of British conductor John Eliot Gardiner since he was a youngster. On his way to bed, he couldn't help glancing up at the famous 18th-century portrait of Bach that hung in the first floor landing of the old mill house in Dorset, England where Gardiner was born.
Leonard Bernstein was a singular American genius. One of the great orchestra conductors of the 20th Century, he was also a composer of hit musicals like West Side Story, as well as symphonies and ballets. He was a teacher and television personality — his Young People's Concerts introduced generations of children to classical music.
If you were listening to NPR 10 years ago this week, you might have heard this enthusiastic proclamation: "The wait is finally over for architect Frank Gehry, for the musicians and staff of the LA Philharmonic, and for all of Los Angeles. Tonight, for the first time in public, the orchestra plays its magnificent new instrument: Walt Disney Concert Hall."
Two hundred years ago today, in a small northern Italian village, a couple named Verdi — tavern owners by trade — welcomed the birth of a baby boy who would later change the face of opera forever. And, whether we recognize it or not, on the bicentennial of his birth, Giuseppe Verdi is still vital.
Originally published on Thu October 10, 2013 10:36 am
Close your eyes, and you may think that this is 1913. In the past few days, the classical music community has been set aflame by recent comments from three prominent male conductors who are — steel yourself — actually saying that women are not capable of standing on the podium.