Writing's often depicted as a private act - scribbling, crossing out, then crumpling two sheets into a fireplace; trial, error and angst - all of which is best kept private. Silvia Hartmann is now writing on a kind of electronic stage - in an open document, a Google doc - so that readers can see her story appear line by line, edit by edit. Silvia Hartmann joins us from the south coast of England. Thanks so much for being with us.
SILVIA HARTMANN: Hi.
SIMON: So what are you trying to do here, write a novel?
I can't think of anything I loved more than talking to Leonard Bernstein. Or, more accurately, listening to him talk — about music or any topic under the sun. I remember a long discourse we had about one of my favorite books, Thomas Mann's The Magic Mountain, and Bernstein's summarizing statement: "Well, of course, every author spends his whole life writing the same book."
In the spring of 1963, as the U.S. was mired in conflicts with Vietnam and Cuba and the Soviet Union, President John F. Kennedy called his old friend David Hackett to express his frustration at the U.S. men's ice hockey team — and their miserable record overseas.
JFK: Dave, I noticed that in the paper this morning that the Swedish team beat the American hockey team 17-2. Hackett: Yeah, I saw that. JFK: Christ! Who are we sending over there? Girls?
Today at All Things Considered, we continue a project we're calling NewsPoet. Each month, we bring in a poet to spend time in the newsroom — and at the end of the day, to compose a poem reflecting on the day's stories.
This Sunday, a landmark composition of the 20th century will be webcast by NPR, and led by the quintessential 21st century conductor: 31-year-old Gustavo Dudamel, who will conduct the Los Angeles Philharmonic in Igor Stravinsky's Le Sacre du printemps (The Rite of Spring). Dudamel spoke about his experience of this earthshaking piece with All Things Considered host Robert Siegel.
The biggest news of the week was the walkout at the Chicago Symphony Orchestra, which forced the cancellation of the first Saturday night concert of the 2012-13 season. Management and the players wrestled over players' health care contributions. How does their compensation stack up, you may ask? "The current average salary of CSO musicians, who have a base salary of $145,000, is $173,000.
Most people who read a lot have gotten used to reading on a screen, whether it's a laptop, a tablet or an e-reader. Some say they prefer it to the experience of reading a heavy, awkward print version of the book. But every now and then, a book comes along that just seems to insist on being physical — something about it simply can't be transferred to the screen.
Originally published on Thu October 11, 2012 1:07 pm
Twenty-five years ago, no one — and I mean no one — would have predicted that a little budget label out of Hong Kong would totally upend the classical music industry. But after doing everything pretty much counter to received wisdom, the Naxos catalog includes more than 7,000 recordings, and they've sold more than 115 million CDs worldwide. A very popular streaming service, the Naxos Music Library, contains nearly a million tracks.
Jonathan Batiste & The Stay Human Band brought the spirit and the music of New Orleans to Salisbury University’s Holloway Hall Monday. The band gave a two hour performance, which concluded a funky, jazzy dance progression down aisles.
One night in 1984, British scientist Frances Ashcroft was studying electricity in the body and discovered the protein that causes neonatal diabetes. She says she felt so "over the moon" that she couldn't sleep.
By the next morning, she says, she thought it was a mistake.
But luckily, that feeling was wrong, and Ashcroft's revelation led to a medical breakthrough decades later, which now enables people born with diabetes to take pills instead of injecting insulin.
Originally published on Thu October 11, 2012 1:07 pm
In terms of international prestige, it's hard to think of bigger prizes in the classical community than those given annually by the British classical music magazine Gramophone (where I served as the North America editor for several years).Sure, the Grammys have more general name recognition, but these Eurocentric awards, completely dedicated to classical music, offer far more depth and breadth than their nearest American counterparts, both in terms of artists and repertoire.
This is TELL ME MORE from NPR News. I'm Celeste Headlee. Michel Martin is away. Coming up, we're talking with Olympic gold medalist Gabby Douglas. We'll ask the flying squirrel how it feels in that white hot spotlight and what kind of sacrifices she made to get there.
Internationally esteemed Viola virtuoso Roberto Diaz, and current Director of the prestigious Curtis Institute of Music performs in recital on Sept. 29th, 2012. Kara Dahl Russell talks to him about the mystique of the Viola, the repertoire for the instrument, his upcoming performance and recordings, and whether “classical” music can hope for a more melodic future.
New York, New York, it's a wonderful town! And Mark Helprin's new near-epic novel makes it all the more marvelous. It's got great polarized motifs — war and peace, heroism and cowardice, crime and civility, pleasure and business, love and hate, bias and acceptance — which the gifted novelist weaves into a grand, old-fashioned romance, a New York love story that begins with a Hollywoodish meet-cute on the Staten Island Ferry.
The extended interview above includes parts one and two of the Morning Edition interview, plus additional material.
J.K. Rowling has a new novel. She's moved away from Harry Potter, the boy wizard whose stories prompted millions of kids to obsess over books big enough to serve as doorstops. Having concluded that series, she's written a novel for grown-ups called The Casual Vacancy, a story of troubled teenagers and their even more troubled parents.
After the global financial crisis hit in 2008, Pulitzer Prize winner J.R. Moehringer was so angry at banks, he says, he decided to write about the people who rob them — in the form of fiction, since he's not an economist.
"I thought it would be healthy to live vicariously through a bank robber at that moment that bankers were ruining the world," Moehringer tells Fresh Air's Terry Gross.
In his first historical novel, Sutton, Moehringer writes from the point of view of Willie Sutton, whom he calls the "greatest American bank robber."