Arts

Deceptive Cadence
3:52 pm
Wed March 13, 2013

Breaking: Pope Francis I Loves Opera

The newly elected Pope Francis (formerly known as opera lover and Argentine Cardinal Jorge Mario Bergoglio) appears on the balcony of St Peter's Basilica on March 13, 2013 in Vatican City.
Peter Macdiarmid Getty Images

Originally published on Thu March 14, 2013 10:38 am

Here's a quick side note to today's big news ...

Immediately after the announcement of the papal election result and the name the new pope had chosen, Brian Williams of NBC News asked New York's Cardinal Edward Egan about the new pontiff, Francis.

"Your Eminence?" Williams said.

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Arts
2:50 pm
Wed March 13, 2013

AP Submissions

Deceptive Cadence
12:43 pm
Wed March 13, 2013

Marches Madness: Patriotic Pandemonium

"Putnam's Camp," by Charles Ives, depicts a small town Fourth of July fantasy.
iStockphoto.com

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Deceptive Cadence
7:03 am
Wed March 13, 2013

'Soldier Songs': Can Effective And Affecting Art Come Out Of War?

A scene from the theatrical staging of David T. Little's Soldier Songs at the Prototype Festival in New York in January.
courtesy of the artist

Originally published on Tue April 2, 2013 10:04 am

Making art out of war is an ancient path — either as a means to quite literally sing the praises of warriors' brave deeds and martial power, or to forward a particular political agenda, noble or not.

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Music Documentaries
5:31 pm
Tue March 12, 2013

Dan Deacon On Q2 Music's 'Spaces'

Dan Deacon's practice space.
WQXR

Originally published on Tue April 30, 2013 12:22 pm

The music of electroacoustic composer Dan Deacon is defined by its extreme eclecticism. A tangle of sputtering beats, Disklaviers and homemade instruments, Deacon's compositional style draws as much from Conlon Nancarrow and electronic music pioneer Raymond Scott as it does from the worlds of pop, electronic and dance music.

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Deceptive Cadence
12:44 pm
Tue March 12, 2013

Tell Us: Are Ballet And Opera Elitist?

In an age when we are hearing more music than ever, are opera and ballet elitist?
Carolina K. Smith iStockphoto.com

Originally published on Tue March 12, 2013 1:10 pm

It's a question virtually as old as the art forms themselves: Are ballet and opera elitist?

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Deceptive Cadence
9:51 am
Tue March 12, 2013

Marches Madness: Walk Like An Egyptian

Verdi's opera Aida, set in the time of the Pharaohs, is known for its extravagance, yet its "Triumphal March" is surprisingly simple.
iStockphoto.com

Elephants, Egyptian palaces, politics and love triangles — now we're talking grand opera!

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Deceptive Cadence
12:06 pm
Mon March 11, 2013

Marches Madness: Sticking Together

Valdres is a friendly, lilting march with clever contrapuntal touches.
iStockphoto.com

Originally published on Mon March 11, 2013 1:14 pm

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Deceptive Cadence
2:18 pm
Fri March 8, 2013

Marches Madness: 'Carmen' And The Castaways

The Toreador march from Bizet's Carmen has popped up in some unlikely places, including the 1960s TV show Gilligan's Island.
Kobal Collection CBS-TV/UA/Gladysya Prod

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Deceptive Cadence
11:56 am
Fri March 8, 2013

The Well-Limbered Clavier

Pablo Helguera

Got an idea for a classical cartoon or a reaction to this one? Leave your thoughts in the comments section.

Pablo Helguera is a New York-based artist working with sculpture, drawing, photography and performance. His new book is Helguera's Artunes. You can see more of his work atArtworld Salon and on his own site.

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Deceptive Cadence
9:27 am
Thu March 7, 2013

Marches Madness: Off With His Head!

In Hector Berlioz's Symphonie Fantastique, he imagines his own march to the guillotine.
Rischgitz Getty Images

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Music News
4:30 pm
Wed March 6, 2013

Britain's Brass Bands: A Working-Class Tradition On The Wane

Cornetist Adam Rosbottom rehearses with the Grimethorpe Colliery Band in January. The band was founded in South Yorkshire, England, in 1917.
Christopher Werth

Originally published on Thu March 7, 2013 11:49 am

The world often feels full of fading traditions, from drive-in movie theaters to the dying art of good old-fashioned letter writing.

For the British, add brass bands to that list. Traditional brass bands have played an important cultural role in working-class British communities for centuries. But some warn that without funding, they could become a thing of the past.

Take the Grimethorpe Colliery Band in South Yorkshire. The band was originally formed in 1917, and nearly 100 years later, a group of tuba, euphonium and other horn players still bears the band's name.

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Classics in Concert
2:49 pm
Wed March 6, 2013

Carnegie Hall Live: Golijov's 'St. Mark Passion'

Osvaldo Golijov's St. Mark Passion at Carnegie Hall.
Melanie Burford NPR

Originally published on Thu May 16, 2013 10:42 am

PERFORMERS

  • Robert Spano, conductor
  • Orquesta La Pasion (Mikael Ringquist and Gonzalo Grau, leaders)
  • Jessica Rivera, soprano
  • Luciana Souza, vocalist
  • Reynaldo Gonzalez-Fernandez, Afro-Cuban singer and dnacer
  • Deraldo Ferreira, capoeirista and berimbau
  • Members of the Schola Cantorum de Venezuela
  • Maria Guinand, chorus director
  • David Rosenmeyer, music supervisor
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Deceptive Cadence
1:59 pm
Wed March 6, 2013

Marches Madness: Mourning Queen Mary II

For Queen Mary II's funeral, Henry Purcell wrote a simple and stately march.
Peter Lely Wikimedia Commons

Originally published on Wed March 6, 2013 3:19 pm

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Deceptive Cadence
1:55 pm
Tue March 5, 2013

'Funeral March of a Marionette': Puppet Music Promoted By Hitchcock

Charles Gounod's quirky march about marionettes found new life as the theme music to Alfred Hitchcock's suspense show on TV.
iStockphoto.com

Originally published on Wed March 6, 2013 3:17 pm

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Deceptive Cadence
3:11 pm
Mon March 4, 2013

'Thank You For That Gift': Memories Of Van Cliburn From Medalists

Van Cliburn in concert in 1993.
Ron Jenkins

Originally published on Tue March 5, 2013 4:42 pm

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Deceptive Cadence
12:16 pm
Mon March 4, 2013

Marriage As Theater: Mendelssohn's 'Wedding March'

A wedding ceremony: as close as many of us get to the theatrical stage.
iStock

Originally published on Wed March 6, 2013 3:17 pm

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Deceptive Cadence
3:07 pm
Sun March 3, 2013

At 100, Composer Margaret Bonds Remains A Great Exception

Margaret Bonds in 1956. Born in Chicago in 1913, Bonds became one of the first African-American female composers to gain recognition in the United States.
Carl Van Vechten Wikimedia Commons

Originally published on Sun March 3, 2013 4:35 pm

Margaret Bonds, who died in 1972, is perhaps near the top of the very short list of African-American female composers. Thanks to her partnerships with Langston Hughes and soprano Leontyne Price and others, she's remembered in some circles as an important figure in American composition. But, mostly, she's been forgotten.

"It's amazing that people don't know who she was, although she was quite well known in her time," says Louise Toppin, an opera singer and a voice professor at the University of North Carolina at Chapel Hill.

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Deceptive Cadence
3:22 pm
Fri March 1, 2013

Marches Madness: John Philip Sousa's 'Washington Post'

Circa 1910: A program advertising John Philip Sousa and his band.
Hulton Archive Getty Images

Originally published on Fri March 1, 2013 3:25 pm

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Deceptive Cadence
11:55 am
Fri March 1, 2013

Critical Miss

Pablo Helguera

Got an idea for a classical cartoon or a reaction to this one? Leave your thoughts in the comments section.

Pablo Helguera is a New York-based artist working with sculpture, drawing, photography and performance. His new book is Helguera's Artunes. You can see more of his work atArtworld Salon and on his own site.

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Classics in Concert
12:22 pm
Thu February 28, 2013

Carnegie Hall Live: Ensemble Matheus

Melanie Burford for NPR

Originally published on Thu May 16, 2013 10:36 am

Ensemble Matheus

Jean-Christophe Spinosi, director and violin

Veronica Cangemi, soprano; Laurence Paugam, violin; Claire-Lise Démettre and Jérôme Pernoo, cellos

Program

  • HANDEL Overture to Serse
  • HANDEL "Frondi tenere" from Serse
  • HANDEL "Ombra mai fù" from Serse
  • VIVALDI "Gelosia" from Ottone in villa
  • VIVALDI Concerto in D Minor for Two Violins, Cello, Strings, and Continuo from L'estro armonico, Op. 3, No. 11
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Deceptive Cadence
2:08 pm
Wed February 27, 2013

Remembering Van Cliburn, A Giant Among Pianists And A Cold War Idol

A youthful Van Cliburn, captured mid-concerto.
Courtesy of the Van Cliburn Foundation

Originally published on Fri March 1, 2013 11:37 am

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Deceptive Cadence
8:03 am
Wed February 27, 2013

Benedict And Beethoven: The Outgoing Pope's Musical Life

Pope Benedict XVI addresses the audience at Milan's La Scala opera house where he heard a performance of Beethoven's Symphony No. 9 conducted by Daniel Barenboim.
Daniel Dal Zennaro AFP/Getty Images

Originally published on Wed February 27, 2013 9:18 am

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Deceptive Cadence
4:45 pm
Tue February 26, 2013

The Operatic Potential Of DSK, A Modern Don Giovanni

Disgraced former IMF chief Dominique Strauss-Kahn leaves court in Paris Tuesday after attending a hearing regarding his seizure request for a new book by Argentinian-born Marcela Iacub detailing their liason.
Kenzo Tribouillard AFP/Getty Images

If I wrote operas, my next work would be called DSKNY. That's a snazzy abbreviation for Dominique Strauss-Kahn New York. The idea came last night when colleagues invited me for cocktails at the Sofitel Hotel, the site of DSK's alleged sexual assault of a hotel maid in 2011, and the beginning of his fall from grace.

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Deceptive Cadence
12:27 pm
Mon February 25, 2013

Remembering Wolfgang Sawallisch, A Conductor Who Blossomed In Philadelphia

The late conductor Wolfgang Sawallisch, captured in rehearsals for a recording of Wagner's Die Meistersinger.
Vivianne Purdom courtesy of EMI Classics

Originally published on Wed February 27, 2013 11:30 am

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The Record
7:03 am
Sat February 23, 2013

Music, The Food Of 'Amour'

Emmanuelle Riva in Michael Haneke's Amour.
Sony Pictures Classics

Originally published on Sat February 23, 2013 11:31 am

Film scores are, by and large, manipulative. They do their work at the periphery of the senses, signaling danger, heralding victory, prodding us toward fear and joy in time with the unfolding story. Crucially, they are also empathic, letting us in on what the actors' words or faces may not convey. And when things get unpleasant, the score can step in as an emotional buffer — a layer of unreality between us and the action that lets us know we're safe. Sunday night at the Oscars, Hollywood will honor a film whose music manages to get all these things right.

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Deceptive Cadence
11:57 am
Fri February 22, 2013

Wilkommen, Bienvenue ... Whatever

Pablo Helguera

Got an idea for a classical cartoon or a reaction to this one? Leave your thoughts in the comments section.

Pablo Helguera is a New York-based artist working with sculpture, drawing, photography and performance. His new book is Helguera's Artunes. You can see more of his work at Artworld Salon and on his own site.

Read more
Deceptive Cadence
12:25 pm
Wed February 20, 2013

Nordic Symphonies And A $100 Guitar: Music We Love Now

Conductor Colin Davis concludes his cycle of Carl Nielsen's symphonies with the London Symphony Orchestra.
LSO Live

Originally published on Mon March 18, 2013 12:08 pm

Turn your ears toward three albums now tickling ours: clever Nielsen, glowing Finland and one battered electric guitar.

Deceptive Cadence
4:39 pm
Mon February 18, 2013

From Bow To Baton: Violinist Joshua Bell Conducts Beethoven

Violinist Joshua Bell conducts the Academy of St. Martin in the Fields by doing what comes naturally to him. The celebrated soloist is also the London orchestra's music director.
Chris Chrisodoulou Sony Classical

Originally published on Mon February 18, 2013 7:16 pm

Violinist Joshua Bell has followed the lead of symphony orchestra conductors since he turned 7 and made his orchestra debut. But now he's the one waving the baton — or at least waving his violin bow. Bell recently took over the music directorship of the venerable Academy of St. Martin in the Fields.

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