Kevin Whitehead

Kevin Whitehead is the jazz critic for NPR's Fresh Air with Terry Gross.

Whitehead's articles on jazz and improvised music have appeared in such publications as Point of Departure, the Chicago Sun-Times, Village Voice, Down Beat, and the Dutch daily de Volkskrant.

He is the author of Why Jazz: A Concise Guide (2010), New Dutch Swing (1998), and (with photographer Ton Mijs) Instant Composers Pool Orchestra: You Have to See It (2011).

His essays have appeared in numerous anthologies including Da Capo Best Music Writing 2006, Discover Jazz and Traveling the Spaceways: Sun Ra, the Astro-Black and Other Solar Myths.

Whitehead has taught at Towson University, the University of Kansas and Goucher College. He lives near Baltimore.

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Music Reviews
11:09 am
Tue December 6, 2011

Thelonious Monk And More: 'Jazz Icons' In Kinescopes

On the sixth Jazz Icons DVD series, Thelonious Monk plays a rare solo piano gig in 1969.
Erich Auerbach Getty Images

Originally published on Fri August 3, 2012 2:18 pm

Jazz has long been a staple of European television programming. American musicians on tour frequently turn up on the tube, caught live or in a studio. That's partly because such shows are relatively cheap to produce, and because jazz makes for good cultural programming.

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Music Reviews
10:51 am
Thu November 17, 2011

Miles Davis' Great, Often Bizarre 1967 Quintet

Miles Davis performs at the 1967 Newport Jazz Festival.
New York Daily News Archive Getty Images

Most of the material from Live in Europe 1967 has surfaced before — the set is subtitled The Bootleg Series, Vol. 1 — but the Belgian concert that performance comes from makes its debut here. This Miles Davis quintet was consistently amazing, not least on its last big tour, when Davis' trumpet chops were in good shape.

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Music Reviews
10:02 am
Mon November 14, 2011

Two South-American Jazz Fusions (No, Not That Kind)

Sao Paulo Underground.
Paulo Borgia

Jazz has always drawn on the syncopated rhythms of Cuban music, and occasionally draws on other new world strains, like Brazilian bossa nova in the 1960s. But that interaction between North and South is ongoing.

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Music Reviews
11:36 am
Fri November 4, 2011

Julius Hemphill's 'Dogon A.D.' Still A Revelation 40 Years On

Julius Hemphill's Dogon A.D.
Courtesy of the artist

Originally published on Fri November 4, 2011 3:03 pm

Julius Hemphill's "Dogon A.D." — the 15-minute piece, and the album that's named for it — was one of the startling jazz recordings of the 1970s, a rethinking of possibilities open to the avant-garde. In the 1960s, free jazz was mostly loud and bashing, until some Chicagoans began playing a more open, quieter improvised music. That inspired St. Louis players like Hemphill, who also had ties to heartland rhythm-and-blues scenes. Hemphill's genius was to combine the Chicagoans' dramatically spare sound with a heavy backbeat. His new urban music smacked of old country blues.

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